Voice, Tone & Sounding Human

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For the past few years, many established brands have been eager to reshape the way they speak to their audiences. They finally figured out that their professional, elevated voice was actually condescending. They’ve decided they want to sound human and authentic. Simplification isn’t a bad word anymore. That’s great that these brands, now so concerned with being customer-centric, have embraced a voice that truly can engage its audience. Yet, big brands still lack consistency. And what’s worse is that the internal dialogue hasn’t changed. It’s still weighed down by jargon, corporate speak and acronyms.

I have been accustomed to and sometimes guilty of using those terms and phrases. However, I’m so aware of it now that I won’t allow myself to just accept it. If we want to be better communicators then we should all embrace these novel ideas on voice and tone.

I’ve shaped the voice and tone of several brands. This is what I learned while working in the technology/ software sector. I’ll preface this by stating the company did not have an identified brand or voice. What they did have was an absolute text book content for how not to write.

1. They gave their audience way too much credit. You cannot read or write content from the perspective of an SME (Subject Matter Expert). You are; your audience most likely is not. And you may have multiple segments of your audience with various knowledge levels. Start with the assumption that your audience knows nothing. Write and target for different areas of knowledge but do so in blogs, ebooks or white papers. These are areas where users can choose content. Dumbing it down isn’t dumb. It’s simplification. If you can’t describe something simply then you have bigger problems!

2. Jargon is a barrier to good communication unless it’s really how your audience speaks. Most industry jargon is how ideas or practices are described internally. They may mean nothing to your audience. So how will you know how your audience speaks? Do your research. Listen to them at events and conferences. This was huge for me. I also asked our sales team questions about what they heard during conversations. Read other industry publications, not necessarily from your competition, but content directed at the group you are targeting. Compile your results, and create a toolkit of words to use and not use. These words are of course useful for SEO and PPC as well.

3. Remember than tone can change. Although, voice is stable, tone can shift depending on channel. The least formal tone is typically used in social media. Yet there’s still distinction between Twitter and LinkedIn. With Twitter, more abbreviations and brevity are the norm; LinkedIn tends to be slightly more professional. The tone of a blog post is informal yet may be presenting data or big ideas. Blogs also often prompt the reader to comment, respond or take action. All these things impact tone. It’s important to flesh out your voice then make slight adjustments to master tone.

4. Be readable! Being interesting and relevant are part of this, but what I really mean here is look at your syntax. Are your sentences too long? Are there too many compound sentences? Are the sentences hard to read because of this? I’ve seen sentences with multiple clauses that run for days it seems. And maybe they have a lot of great points. But nobody’s going to read them. It’s too overwhelming. Mix up the sentence lengths, and aim for brevity.

5. Stop trying to impress everyone with your vocabulary! I love words. I’m a word nerd that as a child read the dictionary. My vocabulary is impressive. However, I know that for something to be clearly understood by the masses, it should be on a sixth grade reading level. For example, write use not utilize. It’s that simple.

6. Avoid passive voice if possible. Showing action helps keep a reader’s attention so the subject of the sentence should be acting out the verb. It’s not completely unavoidable. Just be aware!

Brands must change to continue to be relevant. Voice is a big part of that. Communication continues to change. Think about how texting has affected writing. I do text, but I rarely abbreviate. You may get a chapter from me. I made be old school. That’s fine with me. I think it’s important to temper cultural communication shifts with principles of good writing. And of course much of it goes back to audience and reflecting on how they speak.

My last thoughts on this subject are back on internal communication. Brands have worked so hard to create a human voice. But everybody’s still talking to each other like there was no evolution. Jargon and clichéd phrases still punctuate every meeting and email. There’s eye rolling (maybe that’s just me), but it seems harder to change how we speak to each other than how we speak externally. I think we all deserve to read and hear words that sound human.

What’s your take on voice, tone and jargon? I’d love to hear the words you hope to never hear or read again!

Bad Grammar & Monobrows: Both Should Be Avoided

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As a writer, I read a lot; lots of posts, blogs and articles every day, mainly about marketing and business but also pop culture. I also typically read a book a week. Reading informs me, inspires me and makes me a better writer. I would say about one-third of what I read every day is really well written. The other, although it may have some good ideas, lacks a clear voice and often is too long and uses language that is harder to digest for the masses. I am a big supporter of having a large vocabulary and using it to be expressive; however, most content should be super simple to understand (as in dictionary not required) and should be 500 words or less. Brevity is a beautiful thing.

But I think what breaks my heart as a lover of words and writing is to see grammatical errors and typos. For me, it just rips away any authority you built; I can’t take you seriously, especially if you are by profession a writer, communicator or marketer. Now, I’m not saying I’m immune to such errors. I’ve certainly published things with errors. But I caught them eventually or someone else did (big shout out to my SO for finding an error in one of my posts from last week. He has excellent grammar and he’s super cute – lucky me!). But when I read your articles and posts (some published by major websites or magazines), and find errors, my brain kind of shuts down. Yes, I continue reading, but I’m turned off.

We all have things that bother us or turn us off. In addition to being repelled by bad grammar, I also can’t handle bad eyebrows or a monobrow. I’m sorry, but these traits among a few others make me discount someone as a person slightly. I’m not saying it’s right; it’s just my reaction.

So when I read well researched articles moving toward some interesting insight then come upon apostrophes used incorrectly or incorrect usage of punctuation with quotation marks, I have to question how much care you put into your writing. When I see a post littered with typos, I know you didn’t take the time to proof it. So why should I take the time to read it?

I just want writers to take as much care reviewing the work as they do when they initially write it. Don’t be in such a rush to post that you overlook this key step. If you are a professional writer, meaning you actually get paid to write, and still commit these sins then my concern is even greater. For those of you who aren’t professionals, here are some tips:

1. Have someone else proofread your work. Don’t know anyone? Send it to me.

2. If you are unsure about the correct use of a term or what is grammatically correct, Google it.

3. Unsure if your piece is clear and readable? Try the Hemingway App. It will help you edit, call to your attention when sentences are hard to read and prevent you from using passive voice.

4. Use spell check. Seems simple enough; yet so many do not.

5. Read it out loud. I try to do this with everything I write. It helps me self-edit as well as catch areas where I may have missed a word.

In this world, everyone can be a writer. Everyone can be published. Should everyone? Probably not, but I’m not going tell someone they shouldn’t do something. That’s not my place. Writing can be very cathartic. It can help people express what they can’t say. I’m all for this and for celebrating good ideas. I just encourage all writers to remember that the finished product should be something that should resonate with your audience. Errors detract from your message. Keep your readers interested with a wonderful use of words, snappy syntax and great storytelling. Leave the errors in the drafts, and please don’t ever be the victim of a monobrow.

 

 

I Write Every Day

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I’ve been lucky enough to have been able to take my skill and gift and turn it into a career. Yet, most of the writing that I’ve been doing for the last few years hasn’t exactly given me fulfillment. So I’ve decided to do something about that, and that’s why I’m here right now, trying to get myself to a place where writing is fun again.

When I say I’m a writer, which is typically how I identify myself both professionally and personally, I don’t mean that my degrees or experience have made me one. I came this way out of the womb. I’ve often said that writing is not necessarily something you can teach. Although, it seems to be a major part of most curriculum. You can teach someone how to write an essay or research paper with a formula. But a real ability to understand how to craft a voice, the rhythm of words and the infamous “showing not telling,” I believe is something that is a raw talent. That talent can be shaped and nurtured. Thankfully mine was.

I wrote my first story when I was five. It’s interesting to me that many of my first short stories were about ghosts or mysteries, sometimes leaning a little dark for my age. But it was what I was interested in at the time and also probably a reflection of what was going on in my childhood.

I didn’t just write these stories. I loved to read them out loud. Sometimes I’d even tell stories on the fly; making it up as I went along. I suppose I had a very healthy imagination.

And lucky for me, I had a very encouraging mother. One who also happened to be an English teacher. It wasn’t enough to have a voice or think of a neat twist to the story. Grammar, syntax and structure were also equally important. She guided me from this perspective so that my ideas blossomed into well written stories.

She also gave me a love for reading. There were very few times in my life that I remember my mom not having a book on her nightstand. She read everything from fiction to biographies. And she let me read her books (not when I was five, but not too long after). She let me experience beautiful writing like Joyce Carol Oates, Ernest Hemingway, F. Scott Fitzgerald and many more. I read “Gone with the Wind,” “Jane Eyre” and “Old Man and the Sea” at a relatively young age, yet I understood most of the concepts. More importantly, I understood this was real writing – this was what I wanted to do.

As I aged, the books became more complex and more adult, as did my writing. I started focusing a lot on poetry in middle school (okay a lot of it was about unrequited love), but I have some of those poems still. And they aren’t that bad.

As teenager, I really started to develop my voice. Much more of my writing became personal and introspective. My life was changing; everything was slipping out of my control. I needed an outlet. Writing saved me. And it helped me achieve, as I started to win writing contests and get published.

So I went to college and took many creative writing classes. My professors were easy with both compliments and criticism. I struggled to find focus – what did I want to write about? What was I going to do with this degree in English?

I graduated and was unsure. My life was at a critical juncture. Should I go to law school (that’s what my mom wanted, and of course it was so important to me that she be proud)? Should I try to get a job writing? What kind of jobs were those anyway?

My first job out of college was actually in the legal field as a litigation assistant. I thought I’d figure out if I did really want to law school. It was a great job for many reasons – great mentors, lots of life lessons and the creation of really thick skin (when plaintiff attorneys cuss you out and tell you that you are ruining peoples’ lives, it’s best not to take it personal).

But I wasn’t giving up on writing. I was happily becoming published on new online journals. I finished my first novel at 23; the second one by 25. And for many, many years, I tried to get a literary agent. The rejections mounted. I started on the third novel. Then being a novelist didn’t seem like something that was going to happen. So I took another road and got my MBA in marketing.

So yes, I do write every day. I’ve written about everything from country clubs to data governance. No matter the subject, I still try to remain true to a voice and an objective to keep it simple and interesting.

But I’m back to believing that I can still do this. I can still one day see my books published and in book stores. I’m dusting off that third manuscript and developing a memoir about my life.

I’ve still got a lot of stories to tell. And I hope that you’ll want to listen.